Northern Soul

Author: Kevin Bourke

Daphnes Flight

Northern Soul talks to Christine Collister from folk band Daphne’s Flight

May 19, 2017 No Comments

At around about the time of ‘the great roots rock scare’ of the 80s and early 90s, one of the most familiar faces and admired voices around the Manchester music scene was that of Helen Watson.

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Review: La Strada, The Lowry, Salford

May 19, 2017 No Comments

At a time when the sort of ‘classic’ film that’s adapted into a stage show is more likely than not to be some 70s or 80s confection with feelgood singalong potential, it’s cheering that La Strada, based on a genuine classic of world cinema, even exists.

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From Shore to Shore/Piao Yang Guo Hai

Northern Soul talks the team behind From Shore to Shore/Piao Yang Guo Hai

May 13, 2017 Comments Off on Northern Soul talks the team behind From Shore to Shore/Piao Yang Guo Hai

From Shore to Shore/Piao Yang Guo Hai promises to be a unique event.

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The cast of Winter Hill -Photo by Ray Jefferson, Bolton Camera Club- Winter Hill-057

Women writing, women talking, women directing, women acting: Winter Hill at Bolton Octagon

May 2, 2017 Comments Off on Women writing, women talking, women directing, women acting: Winter Hill at Bolton Octagon

Five years ago the head of the new writing department at Bolton’s Octagon Theatre decided, along with her counterparts at Manchester’s Royal Exchange and the Liverpool Everyman and Playhouse, to work with Salford University to co-deliver an MA course in playwriting.

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Northern Soul chats to Rosie Fleeshman about family ties, Manchester Fringe and millennials

May 2, 2017 Comments Off on Northern Soul chats to Rosie Fleeshman about family ties, Manchester Fringe and millennials

Rosie Fleeshman is the youngest member of Manchester’s First Family Of Theatre.

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Molly Drake Unthanks

Review: The Unthanks, RNCM, Manchester

April 21, 2017 Comments Off on Review: The Unthanks, RNCM, Manchester
One of the many fine and fascinating things about The Unthanks is how they manage to fearlessly represent the very epitome of the folk tradition yet at the same time are so extraordinarily adventurous.

Their last album Mount The Air was one of the most remarkable records of recent years, not least for its melding of Miles-esque jazz with clog dancing. In parallel to their – for want of a better description – mainstream output, they’ve also released a series of Diversions which includes an exploration of the songs of Robert Wyatt and Antony & The Johnsons, a rearrangement of the band’s their own output with a brass band, and a celebration of Songs From The Shipyards. The just-released Diversions Vol. 4 provides the basis for their new How Wild The Wind Blows tour and finds them interpreting the songs and poems of Molly Drake.

The Unthanks believe that Molly’s private collection of home recordings, only recently unearthed and made public, “contains songs extraordinary enough to rank alongside and independently of the work of her revered son, Nick Drake”. That’s a slightly contentious assertion, of course, but what’s undeniable is that Molly’s songs do have an intrinsic value of their own, not least as (although they are accomplished and fully realised pieces of work) they were presumably never designed to be exposed to an audience. Thus, they have a bittersweet fragility and innocence that can’t help but prompt comparisons with her son’s output.

FB-The-Unthanks-Diversions-Vol-4-Album-CoverFor the project (and there’s another Extras collection only available from the website or on the tour that includes two of Molly’s finest songs, Happiness and Night Is My Friend, as well as more of her poetry) they teamed up with Molly’s daughter and Nick’s sister – the celebrated actress Gabrielle Drake – and her pre-recorded performances of her mother’s poetry are at least as important to this tour as the always-stunning singing of Rachel and Becky Unthank, or the tasteful musical accompaniment of pianist and arranger Adrian McNally, the double-bass of Chris Price and the violin of Niopha Keegan, as well as tour newcomer Faye MacCalman on clarinet and tenor sax.

As with their Songs From The Shipyards tour, it’s presented as something of a multi-media experience, with Gabrielle’s readings accompanied by on-screen family pictures and a homely-looking set, decorated with the sort of chairs, flowers and standard lamps that you might well have found in the Cambridge living room where Molly’s husband Rodney recorded his wife singing. The unearthed original tape, which few in the RNCM would have already heard, I suspect – indeed the vast majority would not have heard any of the songs at all – is soon to be reissued and thus we’ll have a chance to compare the original versions with The Unthanks’ new arrangements, should we wish.

It might upset the band to hear this but I doubt I will be one of the ones doing so – the fragile magic of the songs as rendered by The Unthanks is enough to prove to me that Molly was indeed a notable talent. But would this show exist without the cult following that’s grown up around her son? Probably not, and they even included River Man, apparently the first Nick Drake song Becky ever heard right here in Manchester, as an encore. But that doesn’t mean that this is not a fascinating, meaningful and strangely moving show, well worth checking out live and definitely on record.

*** It could hardly be more different to the diligence and careful beauty of The Unthanks show by the sounds of it, but surely proving the enduring fascination for all things Nick Drake, The Lowry in Salford hosts a show on June 1 called Strange Face – Adventures With A Lost Nick Drake Recording. This recounts how an unknown version of Cello Song, one of Nick’s greatest works, was rescued by a former post boy at Island Records, who recently travelled the length and breadth of Britain with the aim of offering individuals he randomly stopped in the street, at their places of work or in their homes an exclusive opportunity to hear the recording.

By Kevin Bourke

 

For Unthanks tour details, click here

 

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Commitments Credit Johan Persson (15)

Review: The Commitments, Palace Theatre, Manchester

March 29, 2017 Comments Off on Review: The Commitments, Palace Theatre, Manchester

It’s unlike me to be picky or to sound even vaguely like a music bore, but it doesn’t reflect well on any production when the programme is full of all sorts of howlers.

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Bat-Out-of-Hell-premiere

Theatre Review: Bat out of Hell, Manchester Opera House

March 17, 2017 Comments Off on Theatre Review: Bat out of Hell, Manchester Opera House

Part of the strange charm of the original Bat Out Of Hell recording has always been that it was unashamedly grandiose and knowingly absurd, and that, lyrically and presentation-wise, it was also pretty funny.

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Review: Meat Pie, Sausage Roll, Oldham Coliseum

March 10, 2017 Comments Off on Review: Meat Pie, Sausage Roll, Oldham Coliseum

Anyone who knows me should be well aware that pretty much the extent of my interest, let alone prowess, in sport consists of being South London triple jump champion for about five minutes when I was 10-years-old.

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Murder, Margaret and Me, York Theatre Royal

Writer Philip Meeks talks about Miss Marple and adapting horror for the stage

February 25, 2017 Comments Off on Writer Philip Meeks talks about Miss Marple and adapting horror for the stage

In the early 1960s, two national treasures were the creative forces behind one of British cinema’s most successful franchises: the Miss Marple movies.

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