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Articles relating to: theatre

Room on the Broom

Review: Room on the Broom, The Lowry, Salford

August 17, 2017 No Comments

“I’ll just turn my shoes off.”

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The Wizard of Oz, Stockport Plaza

Review: The Wizard of Oz, The Plaza, Stockport

August 8, 2017 No Comments

As a Stockport resident, I’ve often walked by The Plaza on my way to the big ASDA, and wondered what it’s like inside.

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The Tiger Who Came to Tea

Review: The Tiger Who Came to Tea, The Lowry, Salford

July 28, 2017 Comments Off on Review: The Tiger Who Came to Tea, The Lowry, Salford

It was as the on-stage doorbell rang for the fourth time that my two-year-old daughter, atop my knee in the semi-dark of The Lowry’s Lyric Theatre, turned to me with a mixture of optimism and desperation to query: “The tiger come now?”

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Review: Taking Steps, Stephen Joseph Theatre, Scarborough

July 28, 2017 Comments Off on Review: Taking Steps, Stephen Joseph Theatre, Scarborough

I’ve never been a fan of farce. In my head, farce equates to pouty-lipped Ooooooooh Vicar quips, buxom women ‘accidentally’ losing their clothes and a great deal of cringe-worthy sexual innuendo.

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A Midsummer Night's Dream

Review: A Midsummer’s Night’s Dream, Heaton Park and Hall

July 22, 2017 Comments Off on Review: A Midsummer’s Night’s Dream, Heaton Park and Hall
 
The passion, heart and indomitable spirit of adventure in all of Feelgood‘s work has made them a vital part of Manchester’s independent theatre scene since their very first show more than 20 years ago. Since then, their promenade shows in Heaton Park have proved to be one of the most loved aspects of their work.
 
So it was exciting news that they were returning to the park this Summer with their first outdoor show there since Macbeth in 2009 (as last year’s Whispers Of Heaton was actually performed within Heaton Park Hall). What’s more, they are now official ‘theatre partners’ with Manchester City Council for the park and the hall, a status that allows them – and us – to dream of a new permanent theatre and rep company in the park, much as London enjoys with Regent’s Park.
 
A Midsummer Night's DreamTheirs is a ‘site-sympathetic’ (as opposed to site-specific) version of The Bard’s mischievous A Midsummer Night’s Dream, which Feelgood founder Caroline Clegg had earlier promised would “bring all the history and the culture and the great stories of Heaton Park into the play as well. We’re aiming to juxtapose the history of the hall with this sense that Heaton is a real people’s park.”
 
The rather ingenious way this was worked into the already dream-like structure of the play was by means of a prologue in front of the hall, wherein the audience were alerted that several members of the cast hadn’t yet returned from a day out. Promptly from out of the hall emerged several ghosts of the Egerton family with some of their famous musical and theatrical friends, offering to take part in the evening’s entertainment in a less chaotic echo of the way the mechanicals were shortly to talk about their contribution.
 
Then audience and players wandered through the remarkable park, with actors emerging from the woods at different junctures to continue the action. Passers-by – mainly late evening joggers and dog-walkers – may have been a little taken aback by coming across the magical confusion but it was all rather delightful, albeit exhausting to watch the players running all over the place in between their scenes, before finishing back in the hall itself for the climactic wedding scene and the Mechanicals’ show-stopping performance.
 
The music played throughout made witty but not intrusive references to the hall and park’s history, including dashes of Gilbert & Sullivan, Britten, Mendelssohn and even Oasis, while the players, many of them Feelgood regulars, threw themselves into the action (rather literally for Toby Hadoke’s Bottom at one point) with gusto, notably Ebony Feare as Puck, a part far removed from her Mende in Slave – A Question Of Freedom
 
Even the weather played along for once. So something of a triumphant return for Feelgood and a tantalising promise of great things to come in the park.
 
 
golden-star golden-star golden-star golden-star
 
 
A Midsummer Night’s Dream runs in Heaton Park and Hall until August 6, 2017 (no performances on July 23, 24 or 31). It’s suitable for ages eight and above, although all children must be accompanied by an adult. Venue is wheelchair accessible, although some of the grassy locations will need a strong push. The wheelchair pusher goes free. This is a walkabout show and rain will not stop play, so no refunds and please wear sensible clothing and footwear. Feel free to bring a cushion, blanket or light fold-up chair.  
 
To read Kevin’s interview with Feelgood founder Caroline Clegg, click here.
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Narcissist in the Mirror, Greater Manchester Fringe

Review: Narcissist in The Mirror, The Kings Arms, Salford

July 19, 2017 Comments Off on Review: Narcissist in The Mirror, The Kings Arms, Salford

Rosie Fleeshman could so nearly be the Adele of performance poetry.

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All aboard for The Dukes production of Treasure Island in Williamson ParkLancaster.

Review: Treasure Island, The Dukes, Williamson Park, Lancaster

July 12, 2017 Comments Off on Review: Treasure Island, The Dukes, Williamson Park, Lancaster

Williamson Park in Lancaster is one of the most beautiful parks in the country.

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A Respectable Wedding

Review: A Respectable Wedding, Root & Branch Productions, 53two, Manchester

July 11, 2017 Comments Off on Review: A Respectable Wedding, Root & Branch Productions, 53two, Manchester

Think about the type of person you’d least like to encounter at a social function and I guarantee they’ll turn up in this play.

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Review: Fantastic Mr Fox, The Lowry, Salford

July 7, 2017 Comments Off on Review: Fantastic Mr Fox, The Lowry, Salford

Roald Dahl only started writing children’s books in the early 1960s but they’re already beginning to assume the status of modern myths, fit to be reconfigured into all kinds of different shapes and forms.

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Review: What If Women Ruled The World? Manchester International Festival

July 6, 2017 Comments Off on Review: What If Women Ruled The World? Manchester International Festival

I’m struggling to put my thoughts about Israeli artist Yael Bartana’s ground-breaking film and performance project What If Women Ruled the World? into coherent sentences.

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