Northern Soul

Articles relating to: Everyman Theatre

The Big I Am in rehearsal, Writer Robert Farquhar, photo by Brian Roberts

Big ideas, big jokes, big songs. Northern Soul talks to playwright Robert Farquhar about Peer Gynt

Jun 10, 2018 Comments Off on Big ideas, big jokes, big songs. Northern Soul talks to playwright Robert Farquhar about Peer Gynt

“I hate Peer Gynt. Why should we do it?”

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The Lat Ship, Liverpool Everyman

Review: The Last Ship, Liverpool Playhouse

Apr 10, 2018 Comments Off on Review: The Last Ship, Liverpool Playhouse

You could say it looks like Sting’s ship has come in with this production.

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The Tin Drum, Liverpool Everyman, Steve Tanner.

Review: The Tin Drum, Everyman Theatre, Liverpool

Oct 4, 2017 Comments Off on Review: The Tin Drum, Everyman Theatre, Liverpool

I’ve never attempted to adapt a novel for the stage, but if I did, I can tell you a few things I’d look for when choosing a suitable book.

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Review: The Conquest of the South Pole, Everyman Theatre, Liverpool

Apr 3, 2017 Comments Off on Review: The Conquest of the South Pole, Everyman Theatre, Liverpool

Now that the Ukrainian dust has settled on the Everyman rep company’s rousing season opener – their powerful take on Fiddler on the Roof – where is this exciting band of performers taking us next?

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Jamie Sives - Arthur Miller's The Hook - Liverpool Everyman Theatre by Manuel Harlan

Review: The Hook, Everyman Theatre, Liverpool

Jul 7, 2015 Comments Off on Review: The Hook, Everyman Theatre, Liverpool

Just a few days ago I was sitting in the Liverpool Small Cinema watching a film called Still the Enemy WithinElegiac and accusatory, it’s the story of the 1984-85 miners’ strike from the perspective of the striking miners themselves. 

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Hope Place at Liverpool Everyman (c) Jonathan Keenan

Hope, heartache and, er, cats, on Hope Place at Liverpool Everyman

May 16, 2014 Comments Off on Hope, heartache and, er, cats, on Hope Place at Liverpool Everyman

Liverpool Everyman is so serious about its commitment to relevant new writing that artistic director Gemma Bodinetz considered Birkenhead-born writer Michael Wynne’s “story of myths, memories and family secrets” as the opening piece for the reborn theatre.

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