Articles relating to: Everyman
Festive Review: Rock ‘n’ Roll Panto – Robin Hood: Tights in White Satin, Everyman, Liverpool
How to encapsulate Robin Hood: Tights in White Satin in a sentence?
Theatre Review: Our Lady of Blundellsands, Everyman, Liverpool
This would have been a better play with just two people in it.
Theatre Review: Sleeping Beauty, Everyman, Liverpool
Regular Everyman panto-goers could be forgiven for thinking they’re stranded in an endlessly recurring dream.
Theatre Review: Tabby McTat, Everyman, Liverpool
Stage adaptations of Julia Donaldson and Axel Scheffler’s hugely popular children’s books are so ubiquitous these days that they should probably be categorised as their own sub-genre of theatre.
Theatre Review: Sweeney Todd, Everyman, Liverpool
“I’m alive at last,” Sweeney Todd declares towards the end of act one, as he abandons his plan for targeted revenge against the judge who wronged him in favour of a throat-slitting class war against the generality of “those above”.
Theatre Review: Us Against Whatever, Everyman, Liverpool
If a British-Polish lesbian romance mixed with Hull City’s promotion to the Premier League and Brexit sounds like an unlikely recipe for a coherent piece of musical theatre, that’s because it is.
Theatre Review: A Christmas Carol, Playhouse, Liverpool
If Vic and Bob wrote a panto and had it produced by the League of Gentleman and performed by the cast of Big Train, it would probably look a bit like Spymonkey’s Christmas Carol.
Theatre Review: The Snow Queen, Everyman, Liverpool
It takes a brave panto producer to take a much-loved fairytale – the very same one, no less, that CBeebies used for their own televised Christmas stage show last year – and mess about with it quite as much as the Everyman has for this year’s festive rock ‘n’ roll offering.
Theatre Review: To Have To Shoot Irishmen, Everyman, Liverpool
Lizzie Nunnery’s new ‘play with songs’, To Have To Shoot Irishmen, has been touring since the beginning of October.
Review: The Big I Am, Everyman, Liverpool
The Big I Am ends with an over-long musing about death and the non-existence of God.
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