Articles relating to: Kevin Bourke
There’s a certain delicious irony to the way that the York-based National Centre for Early Music (forced like so many other independent venues to temporarily close its doors to the public) has been leading the way with an enthusiastic embrace of that most contemporary of technologies, video streaming, to continue to celebrate the live performance of (mostly) medieval music.Read the full story..
After relocating to the oldest working men’s club in Britain (The Holbeck in Leeds), the adventurous team at Slung Low established the Leeds People’s Theatre Company.Read the full story..
In 1968, an independent horror movie called Night Of The Living Dead not only irrevocably changed the horror movie genre, but has since proved massively influential.Read the full story..
I’m sure Andy Cabic, aka Vetiver, won’t mind me saying that when I had a quick transatlantic chat with him last week (as you do), he seemed distinctly nervous about performing this string of UK dates completely solo, particularly as the Up On High album hasn’t been out that long.Read the full story..
For the past couple of decades Sir Matthew Bourne has been enthusiastically following his own enthusiasms and loves – often films – and transforming them into heart-on-sleeve, crowd-pleasing dance magic.Read the full story..
“What do you think she’ll be singing? Will it be jazz? Or country?” an over-refreshed Scottish fan was asking anyone who’d listen just before Rickie Lee Jones took the stage.Read the full story..
When the first wave of so-called ‘movie brat’ film directors began to break through in the 70s, it often seemed to be with ingeniously crowd-pleasing adaptations of successful mass-market novels.Read the full story..
A musical whodunnit, penned by John Kander and Fred Ebb, the redoubtable team behind Cabaret and Chicago, and starring the likeable comedian Jason Manford who has come a long way from collecting glasses at Manchester’s Buzz comedy and music club, Curtains has, on the face of it, got a lot going for it.Read the full story..
Not so much a remix of Shakespeare as a thoroughly modern sequel, packed full of fashionable themes like female empowerment and gender fluidity, all set to, ahem, bangin’ tunes from some bloke you’ve probably never heard of even though they’ve sold in the high godzillions.Read the full story..
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