Review: Sonnets in the City, BBC Radio 3, Bridgewater Hall, Manchester
The phrase ‘Shakespeare’s Birthday’ is enough to strike fear into the heart of anyone from Stratford-upon-Avon. So imagine my excitement– as a huge admirer of the works of Shakespeare – to come across an innovative way to celebrate 400 years of our greatest playwright which doesn’t involve men in tights and ruffles reciting the Bard, but a more contemporary approach.
As part of BBC Radio 3’s Sounds of Shakespeare season, five young Manchester composers were commissioned to write orchestral works inspired by Shakespeare’s sonnets. Part of a much wider project than simply creating classical pieces, Aaron Parker, Daniel Kidane, Chiu-Yu Chou, Nina Whiteman and Tom Coult had their work recorded by the BBC Philharmonic in January to be used as music for a series of Sonnets in the City radio plays.
The Shakespeare 300 concert at Manchester’s Bridgewater Hall kicked off with an interesting preview chaired by Michael Symmons Roberts debating the place of music in the works of Shakespeare.
I have a confession to make. I am not an avid follower of classical music. I’ve been known to admire cellist Luka Sulic and wave my flags during The Proms, but my knowledge is limited at best. However, during the debate I found myself following the discussion enthusiastically.
“There are long lists of musicians throughout history and across genres who reference Shakespeare,” explained Symmons Roberts, to which I started listing all those I knew – Dire Straits, The Smiths, The Beatles, The Band, Elton John, Radiohead, Mumford and Sons. “Shakespeare is a figure celebrated by the nation and even transcends language barriers.”
Why is it that Shakespeare is so irresistible to composers?
“He touches on areas that affect everyone,” answered composer Daniel Kidane. “Across all ages. It doesn’t matter.”
During the Q&A that followed, a friend who accompanied me to the concert – also a fan of Shakespeare and a classical music novice – was interested to know how the geography of Manchester factored into the composition.
For Kidane it was Manchester’s dichotomy of sounds.
“As a university student in Manchester I was always amazed at the variety of music the place had to offer,” he wrote in an interview included in the programme, echoing answers given during the lecture. “One could experience jazz, rock, jungle, R&B and dub all in one night. Some of the sounds from Manchester’s famed club scene also acted as inspiration for the rhythms, figurations and instrumentation in my own piece.”
The concert itself was fantastic. I hadn’t set foot in the Bridgewater Hall since my graduation some years ago, and I’d forgotten how beautiful the space is. For my first time attending an orchestral concert, I felt very lucky that I was able to witness the awe-inspiring talent of the BBC Philharmonic Orchestra. The hall resonated with sound and I tried to invoke images from the radio plays I had already listened to and the sonnets I knew.
Split into two halves, the five commissioned pieces were played back to back with a break for interval, followed by excerpts from Sergey Prokofiev’s stunning Romeo and Juliet.
The event spanned the entire weekend with the first two plays aired on April 22, the second two on the following day along with the Shakespeare 400 BBC Philharmonic concert, then the remaining one late on Sunday 24. Spread out in this manner, the event did feel slightly disjointed, considering that I had to wait until the following evening after the concert for the final play, Love Again, to be aired. However, the concert did allow time to appreciate the music away from the words and recognise the talent of the five composers in capturing so perfectly not only what the writers wanted to portray, but their own interpretation of the sonnets.
I spent Sunday morning listening to the plays in succession, listening out for the musical interludes, remembering what the music felt like the night before and slotting it all together like pieces in a puzzle.
Actress Maxine Peake, from Greater Manchester, begins each one by reading the original sonnet. Distinctively Mancunian, not just from the accents of the actors, but the descriptions of setting and subject matter, the five plays are well worth a listen if you haven’t already done so. From the funny and endearing Baba Ganoush, to the eerie tale of jealousy The Tongue, to a portrayal of heartbreak and lost love in Love Again, there was something for everyone.
Shakespeare is undoubtedly the world’s most influential poet and dramatist, leading Ben Jonson to note that, “He was not of an age, but for all time!” Four centuries later, Jonson’s words still ring true. Shakespeare was a storyteller and people will continue to be inspired by his work for centuries to come.
Tragedy, love and humour are exquisitely captured in this excellent project.
All of the plays will be repeated on Sunday May 8, 2016 and can be downloaded via the BBC iPlayer Radio app or Radio 3 website and will be available for the next 30 days.
- “The need for us is still there.” Junior Akinola, Chair of the Board of Trustees at Manchester’s Contact Theatre
- Brute Strength: Why Our Northern Concrete is Worth Keeping
- Writing a novel in 2021? Tips and guidance from a successful 2020 debut author
- “We’re a resource for the whole of the North of England.” Kenn Taylor, Lead Cultural Producer North at The British Library North
Advertising and Sponsorship Opportunities
For advertising and sponsorship opportunities contact Northern Soul’s Founder and Editor Helen Hugent at firstname.lastname@example.org.
Sign up for Northern Soul newsletter
The Northern Soul Poll
Recent Tweets for @Northern_Soul_
Thought for the Day: pic.twitter.com/fyi3v87Z7a
“The need for us is still there.” At 28, Junior Akinola is the first person under 30 to chair a board of a major performing arts venue in the UK. But that didn't stop Manchester's Contact Theatre from hiring him. northernsoul.me.uk/the-need-f… @cparkwriter @Jr_JT3 @ContactMcr pic.twitter.com/tobyXTPpOc