Something about Non Pratt’s writing reels me in. She’s hilarious, yes, but it’s her ability to completely understand the teens she writes about that really interests me.
She’s also proper nice. It’s a warm day when I call Pratt to talk about her latest novel, Giant Days, and the weather has made the dog a bit grouchy. She begins to bark, disrupting our chat more than once.
“I’m so sorry,” I apologise. “She’s quite loud.”
“She sounds like she’s got a set of lungs on her,” Pratt jokes, and continues to chat as if my having to disappear for a minute to barricade the pooch in another room and stop her spooking the postman is an entirely normal occurrence during an interview.
I first came across YA author Pratt in 2014 after consuming her debut novel, Trouble, in a matter of hours. I adored the witty, warm and insightful tale. Giant Days, a novel based on the popular ongoing monthly comic series of the same name, is just as wonderful. Written by John Allison, with art by Max Sarin and Lissa Treiman, the series follows three young women – Esther de Groot, Susan Ptolemy and Daisy Wooton – who share a hall of residence at Sheffield University.
I admit to Pratt that, prior to reading her novel, I hadn’t come across the Giant Days series.
“I hadn’t heard of the series either,” confesses Pratt. “And now I don’t understand why I hadn’t because a lot of people I’m friends with, and who are in the YA community, read them. I’d never done a writing project like this before – all my work has been my own original fiction – and, when I was reading the comics, I just completely fell in love with the characters. I just loved the Britishness.
“The publisher (Boom! Studios) is American, and it’s done well in America as well as the UK. I just loved it. And I don’t know how far into the series it is, but someone refers to a tiny, minor character being from Stockton-on-Tees, which is where I’m from, and I was just like ‘oh my god! They’ve mentioned Stockton in here’. The comic makes a joke about Stockton not even having a Starbucks and it just made me do a proper, full-on ‘ha!’ out loud.”
She continues: “I just thought ‘these comics are amazing’ and wanted to try and write something that has this kind of humour in a novel form.”
“I am a bit anxious as this is something I’ve never done before. I wrote [the novel] in the third person and bounced between three characters, and I normally write in first person, so I was trying something new from my own writing style. I’m working with someone else’s characters, and people have expectations of these characters and I think it’s important to know these expectations, so you don’t disappoint readers. I approached [the project] thinking this will be unlike anything I have done before and I’m just going to have fun. I get to work with characters that I would never have create and I respect them.”
Pratt speaks highly of Allison and it’s clear that she’s a huge fan of his work. “He’s been so helpful and encouraging and been so generous with his characters. I essentially wrote a long piece of fan-fiction for something that I properly love. I don’t think people should just read the novel. The characters are conceived by John, and he’s such a good comics writer, they work so well in a comic format. What I hope is that the novel will encourage people to approach something that you might not have heard about or considered. And if you are a fan of the comics, it’s a nice addition.
“I grilled John on details about [the characters’] backstory that I was making up. I think part of respecting the original creation is to work with the original creator to make sure there’s consistency and you’re not including plotlines that might already be in the pipeline. It was learning where a novel can fit in around things that are important to the comics without detaching from them nor diminishing them.”
Giant Days made me feel nostalgic for those first few weeks of university when you’re not sure how you fit in. I remember being nervous of the girl whose room was over from mine, but she ended up becoming one of my best friends – in fact, Housemate and I still live together today at the age of 32. Does Pratt remember her time at university fondly?
“One of the reasons I wanted to take this project is that I never really wanted to write a university novel. My normal style is writing for slightly younger teenagers, early to late-teens, but it forced me to look back to my university days. My university experience isn’t necessarily reflective of Giant Days because I basically hid in my room the whole time – I was terrified. I didn’t know how to talk to anyone. I found the whole first term wildly frightening and I couldn’t find any of my people. Eventually, I found people I understand – and I’m married to someone I met on the first day of university.
“So, it was fun to revisit that but also important not to confuse my experience with a modern university experience. There’s a huge crossover because, ultimately, it’s the experience of leaving home for the first time and edging into a new environment as adults but you’re still protected by a sort of school structure, but there are obviously things that people have now that I didn’t, like the internet, social media and mobile phones.”
Pratt’s novels are incredibly funny, particularly the dialogue, and I admire the way she explores difficult themes in YA with wit and humour – I think we’re beginning to see more YA authors doing this now – but I remember reading Trouble and just feeling happy that someone was writing about teen pregnancy in a way that didn’t glamorise it but, at the same time, didn’t demonise the characters.
Does she think humour is important in YA fiction? And is there a responsibility to handle certain issues in a particular way? “I want humour in what I read and what I consume – books, TV, anything – and I think it’s important, even when you’re handling big topics. Trouble touches on teenage pregnancy and Truth or Dare deals with internet fame and brain injuries. When you’re thinking about the big stuff, you need to think about how people are, and most people are funny and do make jokes. It makes it more readable and more realistic.
“When you write for a younger audience, you’ve got a duty not to make everything too heavy. There are books that do this well, but I am not that kind of writer and I want to have the brighter aspects and I like humour in every aspect of my life – whether that’s heavy or light. I find my characters through dialogue. I get more laughs out of my dialogue than my narrative or description. I’m not someone who can come up with one hilarious metaphor, I am more likely to come up with a slightly witty conversation that will make you chuckle.”
Like me, Pratt’s favourite character in Giant Days is Susan. “I always feel really bad answering this,” she admits. “But I love her so much.”
So, are there any plans for another Giant Days novel or even a series?
“As far as I know, I have written this as a standalone. The comics are still ongoing, and John is still creating amazing storylines for these characters – they haven’t finished university yet in the comics – so there is potential for more, but I don’t know if that’s what is planned. I have enjoyed writing this one. It’s been great.”
Pratt had a busy 2017, working on three different projects: Giant Days, a collaborative novel with six other authors called Floored (due out July 2018) and Truth or Dare which was published in January of this year. She is also working on her fourth full-length novel for her main publisher, Orca.
“I love YA books. I like consuming them. I like writing them. I write for my 14-year-old self and I think I always will, really. ‘Grown up’ books are a different thing and I don’t enjoy reading them as much as YA, so I don’t know why I’d write them if I don’t enjoy reading them as much.
“I’m still writing for teenagers,” she enthuses. “That’s where I’m always going to be. I think.”
By Emma Yates-Badley, Literary Editor
Giant Days is published by Abram & Chronicle Books and will be available to buy from August 21, 2018.
Giant Days is an ongoing comedic comic book written by John Allison, with art by Max Sarin and Lissa Treiman and published by BOOM! Studios.