Author: Kevin Bourke
“Just because someone’s fun, it doesn’t mean they’re not nefarious.” Steve Coogan and Michael Winterbottom talk about Greed
Steve Coogan’s film career has been a hit-and-miss affair.
Review: Ute Lemper, Rendezvous with Marlene, RNCM, Manchester
It was 1987 in Paris and young cabaret performer Ute Lemper was opening as Sally Bowles in the stage musical Cabaret.
Theatre Review: Night Of The Living Dead – Remix, Courtyard Theatre, Leeds Playhouse
In 1968, an independent horror movie called Night Of The Living Dead not only irrevocably changed the horror movie genre, but has since proved massively influential.
Music Review: Vetiver/Treetop Flyers, YES, Manchester
I’m sure Andy Cabic, aka Vetiver, won’t mind me saying that when I had a quick transatlantic chat with him last week (as you do), he seemed distinctly nervous about performing this string of UK dates completely solo, particularly as the Up On High album hasn’t been out that long.
Review: Matthew Bourne’s The Red Shoes, The Lowry, Salford
For the past couple of decades Sir Matthew Bourne has been enthusiastically following his own enthusiasms and loves – often films – and transforming them into heart-on-sleeve, crowd-pleasing dance magic.
Music Review: Rickie Lee Jones, RNCM, Manchester
“What do you think she’ll be singing? Will it be jazz? Or country?” an over-refreshed Scottish fan was asking anyone who’d listen just before Rickie Lee Jones took the stage.
Theatre Review: The Exorcist, Manchester Opera House
When the first wave of so-called ‘movie brat’ film directors began to break through in the 70s, it often seemed to be with ingeniously crowd-pleasing adaptations of successful mass-market novels.
Theatre Review: Curtains, Palace Theatre, Manchester
A musical whodunnit, penned by John Kander and Fred Ebb, the redoubtable team behind Cabaret and Chicago, and starring the likeable comedian Jason Manford who has come a long way from collecting glasses at Manchester’s Buzz comedy and music club, Curtains has, on the face of it, got a lot going for it.
Theatre Review: & Juliet, Manchester Opera House
Not so much a remix of Shakespeare as a thoroughly modern sequel, packed full of fashionable themes like female empowerment and gender fluidity, all set to, ahem, bangin’ tunes from some bloke you’ve probably never heard of even though they’ve sold in the high godzillions.
& Juliet: Miriam-Teak Lee talks about taking on the ultimate role
It’s by no means impossible that you’ve never heard the name Max Martin.
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