Author: Kevin Bourke
Not so much a remix of Shakespeare as a thoroughly modern sequel, packed full of fashionable themes like female empowerment and gender fluidity, all set to, ahem, bangin’ tunes from some bloke you’ve probably never heard of even though they’ve sold in the high godzillions.Read the full story..
It’s by no means impossible that you’ve never heard the name Max Martin.Read the full story..
Not that long ago, in 2006, when Jerry Springer – The Opera, Richard Thomas and Stewart Lee’s outlandish and provocative satire of over-the-top tabloid chat shows, first toured this country, outraged citizens (who in all probability hadn’t actually seen the show but knew in their hearts that they should definitely be outraged) demonstrated long and hard outside any regional theatres who had the balls to mount the show – sorry, this sort of stuff does seem to be catching after all.Read the full story..
I’ve pondered before in these pages on the apparently insatiable appetite of musical theatre producers for hit films that can be transformed into stage hits.Read the full story..
Theatre Review: There Is A Light That Never Goes Out: Scenes From the Luddite Rebellion, Royal Exchange, Manchester
There was no little irony in the fact that the press night opening for a play about the luddites should be delayed by a malfunctioning microphone.Read the full story..
“If you want to see the movie, see the movie.” Bob Gale talks to Northern Soul about Back to the Future – The Musical
Here’s the thing. The blockbuster film Back To The Future was first released in 1985, starring Michael J. Fox as Marty McFly, a rock ‘n’ roll-loving teenager who is accidentally transported back to 1955 in a time-travelling DeLorean (ask your parents) invented by his friend, Dr Emmett Brown, played by Christopher Lloyd.Read the full story..
Even by the wild and woolly standards of Manchester International Festival, the Manchester cholera epidemic of the 1830s might be considered an unlikely inspiration for a project, let alone one for the first major UK project from a Tokyo-based art collective.Read the full story..
Written by the South Park team of Trey Parker and Matt Stone with Avenue Q’s Robert Lopez, The Book Of Mormon arrives at Manchester’s Palace amid the sort of hype that has made it a very hot ticket indeed, with most of the fuss seeming to be about how ground-breakingly outrageous, but hilariously funny, the show is.Read the full story..
Laura Wade’s Posh from 2010 was a riotous and righteous savaging of the English class divide.Read the full story..
Barcelona-based theatre company Señor Serrano, contributing to the theatre element of this year’s year’s ¡Viva! Spanish & Latin American Festival 2019 at Manchester’s HOME, create what they call “cinema-in-real-time”, in this case using a live-feed camera, keyboard, guitar, microphones, drum kit, amplification and a huge number of smaller props carefully arranged across three large tables, as well as a willingness to show off their manly bodies.Read the full story..
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Thought for the Day: "I've always got my energy from being alone in order to go out in the world and be social." - Tuppence Middleton
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